Evaluating Spatial Audio - Part 1 - Criteria & Challenges
We here at Ceva, have spoken at length about spatial audio before, including this blog post talking about what it is, and this blog post about why head tracking is essential for any personal spatial audio solution.
As a quick refresher, ‘Spatial Audio’ is a broad term that we use to describe an array of audio playback technologies where the primary focus is to enable us to listen and experience sound as we do in the real world – in three dimensions. Compared to the standard stereo configuration (headphones, earbuds, two speaker configurations, etc.) where we hear sound from two main sources – left and right, spatial audio configurations are meant to feel as though they can immerse us from all directions.
What makes a given audio product system ‘Spatial’?
To read the full article, click here
Related Semiconductor IP
- NPU IP Core for Mobile
- NPU IP Core for Edge
- Specialized Video Processing NPU IP
- HYPERBUS™ Memory Controller
- AV1 Video Encoder IP
Related Blogs
- Evaluating Spatial Audio - Part 2 - Creating and Curating Content for Testing
- Evaluating Spatial Audio - Part 3 - Creating a repeatable system to evaluate spatial audio
- What is Spatial Audio and What Does it Have To Do With Binaural Audio?
- How Head Tracking Can Elevate Your Spatial Audio Experience
Latest Blogs
- Cadence Extends Support for Automotive Solutions on Arm Zena Compute Subsystems
- The Role of GPU in AI: Tech Impact & Imagination Technologies
- Time-of-Flight Decoding with Tensilica Vision DSPs - AI's Role in ToF Decoding
- Synopsys Expands Collaboration with Arm to Accelerate the Automotive Industry’s Transformation to Software-Defined Vehicles
- Deep Robotics and Arm Power the Future of Autonomous Mobility